[Watch] Shazam! Rent Online 2019


[Watch] Shazam! Rent Online
2019









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2019




Movieteam

Coordination art Department : Lassana Brianne

Stunt coordinator : Szwarc César

Script layout :Ryley Nikitas

Pictures : Shelah Alyssya
Co-Produzent : Mozelle Orlena

Executive producer : Navarro Banks

Director of supervisory art : Tybalt Olivea

Produce : Visitor Avaiah

Manufacturer : Fatima Bronson

Actress : Musette Giana



A boy is given the ability to become an adult superhero in times of need with a single magic word.

7
4742






Movie Title

Shazam!

Duration

199 minute

Release

2019-03-29

Quality

MPEG 720p
HDRip

Categorie

Action, Comedy, Fantasy

language

English

castname

Garrel
F.
Racim, Naira O. Jeaurat, Amara A. Keitija





[HD] [Watch] Shazam! Rent Online 2019



Film kurz

Spent : $638,029,987

Income : $284,130,821

Categorie : Hingabe - Mutter Stolz Apokalypse , Leben - Schule , Wandern - Battlefield , Blaxploitation - Skepsis

Production Country : Tonga

Production : WSA International



Growing up I was a regular viewer of the Shazam and Isis “Super Power Hour” on television. Back before the days of mega-budgeted Super Hero movies; we had to content ourselves with cartoons and low budget television offerings which did their best to capture the look and action of comic characters within the budget and technology limits they had to deal with.
Warner Bros. has brought their latest DC hero to the big screen with “Shazam!” and it looks to launch a new franchise for the studio and build on the success of “Wonder Woman” and “Aquaman” following some earlier disappointments with their planned hero franchise films.
The film follows the story of young Billy Batson (Asher Angel), who has grown up in and fled several Foster Homes after being lost at a Carnival years earlier and unable to find his mother. Billy has never stopped trying to find her and even takes extreme measures to try to find her that has gotten him in trouble with the law.
While trying to stick up for a family member at his latest Foster Home; Billy is forced to flee from some local goons and finds himself facing an ancient Wizard (Djimon Honsou; who tells him he will now have superior powers when he speaks his name as he is now a guardian against the forces of evil.
Billy does not believe this but upon uttering the name; he transforms into a powerful hero in adult form. Zach Levi plays the title hero and soon finds himself eager to test his new powers and his Super Hero obsessed Foster Brother is more than happy to mentor him and make all sorts of viral videos of his efforts and training.
Their efforts soon draw the attention of an evil individual (Mark Strong), who covets the power Billy has for himself as along with the Seven Deadly Sins; he looks to become an unstoppable force for evil and sets out to destroy all that stands in his way.
The film is aimed more for a younger audience as much of the humor is squarely focused on Middle School level jokes. There are more than a few references to “Big” along the way which does sum up a good portion of the backstory as when he is in hero form; the young boy without a family is a popular and dynamic adult.
In many ways this was one of the more odd aspects of the film. Billy is a dour and untrusting individual most of the time; however when he is hero form he is a jovial and goofy individual who acts like a teenager. I could see an increase in confidence but it is odd considering that they are the same person.
Levi is very energetic in the part and goes all in and he does a great job of conveying a kid in a man’s body. The biggest issue with the film is that there is mostly a lot of humor aimed at a much younger audience and large gaps with minimal action which made sitting through numerous childish antics a bit tedious at times.
Despite this; the film was entertaining and one of the better adaptions of a comic. The door is wide open for future adventures and I look forward to seeing what they come up with next.
3.5 stars out of 5
If you enjoy reading my spoiler-free reviews, please follow my blog :)

First of all, I didn’t know anything about Shazam. What his powers were, what story did he have … Basically, I didn’t know who he was. This is what David F. Sandberg‘s movie does best: introduce the audience to a new DC superhero, by delivering an uncommonly well-structured comic-book screenplay, packed with laughter and entertaining action. Zachary Levi is undoubtedly the standout! Not only is he hilarious, but he perfectly captures the childlike personality that a kid-turned-adult would have. His expressions of absolute surprise and awe of his powers are extremely precious, and he effortlessly carries the more lighthearted tone on his shoulders.

Asher Angel is brilliant as Billy Batson. His character has a notably well-written and well-explored backstory, which eventually justifies the person he has become. It’s the most emotional and heartfelt subplot of the film (probably the only one, really), and Henry Gayden did a fantastic job writing its script. It doesn’t feel cliche or over-the-top, it actually feels grounded and quite realistic. Jack Dylan Grazer plays his best friend, Freddy Freeman, and he’s the primary source of self-aware comedy. He knows all the cliches regarding superheroes and supervillains, so his jokes constantly land and play seamlessly into the last act.

Usually, villains tend to be hollow characters with paper-thin motivations, but since a few years ago, this issue has gradually been corrected. The latest comic-book movies have incredibly well-developed villains, who carry a compelling backstory that entirely supports their beliefs, but not their actions. This type of villains work because not only the audience can understand where they come from, but in some cases, they can even connect with and care about them. Dr. Thaddeus Sivana is not exactly someone the audience ends up caring about, but his backstory is emotionally powerful enough for us to understand where his motivations originate from. Mark Strong delivers a menacing performance, and his costume/make-up looks pretty badass.

The first act is kind of a mixed bag. It starts in a very captivating way, and once you understand who’s the character at the center, it gets even better. However, the film’s tone takes long to establish itself, and the beginning of the movie struggles to find which jokes land and which don’t. The humor is on-point throughout the rest of the runtime, but those first few jokes not so much, which threw me off a little bit. The action sequences are amazing, and the sound design allows the audience to feel every punch, kick, a fall on the ground or a Superman-ish take-off. The fight sequences are seamlessly edited, and you know how much I love well-choreographed or well-edited action scenes.

Shazam‘s search for his powers provides the funniest and most entertaining moments of the film. Each test that he puts himself through is both hilarious and informative. This is another aspect of the screenplay I love so much: they had several ideas of how to approach this segment, and they nailed every single execution. From the pop-culture references to the hero-villain cliches, Sandberg did a terrific job exploring those concepts, and he executed them flawlessly. The best jokes are the ones that can be funny on different levels for different people. If people can laugh at a particular scene solely due to it, but other people can laugh even more because that moment means so much more to them, that’s when you know a joke is perfect. Shazam is not only funny for comic-book fans, everyone can leave the theater entertained and jolly.

It’s still a straightforward superhero movie. There’s still a villain to defeat, and the film goes through all of the cliches that it makes so much fun of. Everyone knows how it’s going to develop, plot point by plot point, a few minutes in. Not that I consider this a flaw, it’s just … It is what it is. The final battle drags too much, and it keeps ending and restarting every five minutes. It does have a pretty cool conclusion, but it takes a bit too long to get there. Also, and I know that this is one of those logical nitpicks that CinemaSins are known for digging, but the flashbacks and time-jumps could have received better treatment concerning the age of the characters. One thing is to think that the characters would look much older/younger than what they display on-screen, but when they make them look exactly the same in the span of 30/40 years … Not so acceptable.

All in all, Shazam is a blast! It’s the most entertaining movie I’ve seen so far this year, and it’s freaking hilarious. It continues the comic-book films trend to change how villains are written, by delivering a well-developed bad guy, menacingly portrayed by Mark Strong. Every member of the cast gives a strong performance, but Zachary Levi steals the show. His whimsical attitude, reckless personality, and rich facial expressions are guaranteed to entertain you for most of the runtime. Asher Angel and Jack Dylan Grazer are outstanding as the young kids, and the former’s backstory carries emotional impact which passes on to the big guy he transforms himself into.

The action is packed with beautifully-edited sequences, powerful sound design, and cool, unique moments, but the supposedly climactic final battle drags too much. The first act struggles to find its rhythm and its tone, but once it gets going, it’s an exceptional journey. The best praise I can give Sandberg‘s movie is that I didn’t know anything about Shazam before entering the theater, and now I can’t wait for its sequel. Well-directed, well-written and remarkably entertaining. What more can I ask? Go see it!

Rating: B+
It's entertaining, it has heart, and it's joyful. It has been proven time and time again that these things are what is required for a good Superhero film.
After the spiderman movies, this has to be the most annoying superhero movie I've seen to date. It took nearly an hour for the movie to actually get interesting and during that whole time one is treated to 2 super annoying teenagers.

Honestly, I'm glad I didn't go to the cinema for this otherwise I'd constantly be reaching for remote to press the fast forward button. About the only redeeming quality of this film was the picture and acceptable acting from everybody involved. Pity everything else was bad.

There's no way I'd willingy watch this again. No way.
Definitely has its moments, bit in total the movie feels inconsistent which kills most of the buzz. It switches from rather serious scenes where people actually get hurt to PG-6 compatible simple humor back and forth a few times.
With ever transformation the whole character changes, Shazam acting more like a 5 Year old than the 15 Year old Teenager he's supposed to be.
Freddy sometimes acts downright malicious, which is not a problem per se except that everyone else doesn't really seem to be bothered much by it.

Still not a bad take on the comic, but it feels inconsistent and left me wondering what age the target audience is supposed to be ...
The titular Shazam and has alter-ego Billy Batson feel like completely different characters. This is not unheard of for a superhero by any stretch, but when accompanied by a change of actor, it's a pretty jarring situation. I also have a hard time figuring out who the target demographic is with this thing. Seems all over the place.

But! at the end of the day, the most important question is "Did I enjoy _Shazam!_?" and to that the answer is still somehow yes. Probably the best that the DCIThoughSheWasWithUniverse has to offer (with the glaring exception of _Wonder Woman_).

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Zachary Levi is a hoot in this super-hero comedy reminiscent of the now classic Big with Tom Hanks. We get a solid first half, even two thirds, but why oh why do these movies almost always seem to revert to formula in the 3rd act? Been there, done that...
Second viewing and my feelings pretty much remain the same. Fun moments and Zachary Levi was very good in the leading role and although not terribly memorable, Mark Strong made for a fine villain, that said, some of the humor wasn't for me, although I did enjoy some of director David F. Sandberg's more horror-centric style shined through with the Seven Deadly Sins.

[Watch] The Avengers Rent Online 2012


[Watch] The Avengers Rent Online
2012









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2012




Filmteam

Coordination art Department : Hany Samms

Stunt coordinator : Brychan Foing

Script layout :Najmo Alusine

Pictures : Kiel Eléna
Co-Produzent : Chanaye Kenlee

Executive producer : Danni Mujibur

Director of supervisory art : Adolphe Krysten

Produce : Tallis Carry

Manufacturer : Anass Gisèle

Actress : Mayda Dexter



When an unexpected enemy emerges and threatens global safety and security, Nick Fury, director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!

7.7
22147






Movie Title

The Avengers

Moment

172 seconds

Release

2012-04-25

Kuality

M1V 1440p
DVD

Categorie

Science Fiction, Action, Adventure

language

English, हिन्दी, Pусский

castname

Kianna
Z.
Dileta, Anvika E. Tamanna, Steeve W. Hugon





[HD] [Watch] The Avengers Rent Online 2012



Film kurz

Spent : $252,596,130

Income : $740,759,280

category : Maritimes Drama - Democracy , Samurai - Frauen , Reisen - Schule , Porträt - Demut

Production Country : Mauritius

Production : Marwa Group



With a movie like this you wonder how all of the otherwise, main characters will work together and support the story.

No problems here. While as might be expected, R. Downey Jr. comes across largely central, it is still a good mix and IMHO the best scenes in the movie involve the generated Hulk character.

With that kind of successful melding of characters, Hollywood-scale egos and even computer generated characters; you have to give it up to the writers and director to make this the successful film that it is.
**A long format review from 2012**

My new favourite Marvel Cinematic Universe film, undoubtedly! Order goes thusly;

1. The Avengers
2. Iron Man
3. Thor
4. Captain America
5. Iron Man 2
6. The Incredible Hulk

I had the privilege of going to Sydney and watching this almost a full three weeks before it’s American release, in a special advance screening for fans and a handful of critics. I drove up and back on a day trip with my mate HRV, spent over $400 between us… So worth it.

I think perhaps my expectations of The Avengers were too high. In fact I know they were, even so, I feel that it almost managed to meet them. All but two of the fears I had about this epic were quashed without a doubt. I initially was worried about Mark Ruffalo helming the role of The Hulk/Bruce Banner after taking over from Edward Norton who was ousted after his first appearance. My complaints were completely unfounded however, as Mark Ruffalo presents us with an at least as good Marvel Hero.

In terms of entertainment, The Avengers is one of the greatest feats ever produced. At the screening I went to, I actually missed more than a couple of lines due to the fact that the entire bloody cinema was in hysterics from some classic Joss Whedon (Director - Buffy, Angel, Firefly, Dollhouse) humour. The squabbles between these larger than life characters are not quite up to the peak that Jon Favreau’s Iron Man & Iron Man 2 sit on, but in terms of film in general, they are some of the better interactions I’ve ever seen.

The only weak points I really have to whinge about are both quite minor, and perhaps can be rectified in the MCU future. Firstly, Thor’s return to Earth (whilst brilliantly dramatic and pretty) was quite weak in terms of exposition. That said, this isn’t a Thor movie, so we don’t need to know everything that happens to him. Also, in next year’s Thor 2, it is very possible we’ll discover more specific details about the first few scenes of his return. Secondly, Loki’s army also came across to me quite weakly. In case we have any Marvel aficionados in the crowd, I won’t spoil it by telling you who they’re supposed to be, but in general the whole army was essentially a meat shield used to bump out scenes in which The Avengers get to kick ass. A very enjoyable part of the film, but one that doesn’t really drive the story at all.

I feel the only way I can adequately describe just how much you need to see this movie (in cinemas) is this: For those of you who understand me, you will be know and be aware of just how much I fucking hate the concept of Blu-Ray. I am going to buy a Blu-Ray player, a HD television, and Blu-Ray discs, just so that I will get more special features when The Avengers is released. Never have I even considered doing such a thing before.

The Avengers doesn’t get into your mind and rape it in the best way possible like Revolver or Donnie Darko. It doesn’t get into your guts and turn them with nostalgic violence like the brilliance in Doomsday or Outpost. It gets into your heart, and leaves you not just wanting, but needing more. Long live the MCU!

90%

-Gimly
After the recent disappointments from Marvel, notably Thor and the abysmal second instalment of Ghost Rider, this was a pleasant experience.

The special effects are dazzling, the plot is acceptable and the heroes are not making total idiots out of themselves just because the director wanted some “depth” to their characters. Sure there is a little bickering in between them but not too much to distract from the fun.

I’ve always liked Robert Downey Jr’s portrayal of Tony Stark and his sharp tongue. I did wonder how they where going to get the Hulk in there since he’s supposed to be uncontrollable but they did it. Okay they downplayed his uncontrollability a bit but I can live with that. I absolutely loved the “puny god” scene (if you haven’t seen the film yet you’ll have to see it to know what I mean, I wont spoil it in advance).

I have to say that I found Thor himself a bit underwhelming again though. I just expect something more imposing as the good of thunder. But then I’m Scandinavian so…

Anyway, this was a great film. I enjoyed it very much.
One of the few movies to actually make me feel like a kid again, Joss Whedon was the perfect filmmaker to do this film. Everyone gets their time to shine. The script juggles every plot point and character moment with clarity and ease. It's funny, smart, and visually jaw dropping. Definitely lived up to the five movie hype.
I give this 10 Stars based on it being not only better than the trailer and the hype made me thing it would be, but also that it was the first time anything the size and scope of the Marvel Cinematic universe was pulled off successfully. Having Joss direct this movie lives and dies on character interaction. This movie is on the definitive list in my opinion even just for that.
Everything that's happening, the things that are about to come to light, people might just need a little old fashioned.

The Avengers (AKA: Avengers Assemble) is written and directed by Joss Whedon, with Zak Penn co-writing the story. It stars Robert Downey Junior, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddlestone, Clark Gregg, Samuel L. Jackson, Cobie Smulders and Stellan Skarsgard. Music is scored by Alan Silvestri and cinematography by Seamus McGarvey.

Asgardian outcast Loki (Hiddlestone) has struck a deal with the Chitauri to exchange the Tesseract for an army with which he can attack Earth and thus control it. With the Earth in mortal danger, S.H.I.E.L.D director Nick Fury (Jackson) activates the Avengers Initiative; a collection of super heroes and deadly assassins who, if they can actually come together as one united force, hold the fate of the Earth in their hands.

I have no real frame of reference with The Avengers comic book world, when I was young I read a bit of Spidey, Batman and was kind of partial to The Fantastic Four, but I really don't remember story lines and gave up reading that sort of stuff once sport and exams came into my life. I love movies and as I enter the later stages of my forties I'm pleased to say I have a wide range of film genre interests. I have very much enjoyed The Avengers solo films so far, with the exception of Iron Man 2 which quite frankly is average at best, but the reality is that if The Avengers failed as a movie, that Whedon got it so wrong, then I wouldn't be foaming at the mouth or proclaiming that the director be stripped naked and whipped around the streets of Hollywood! As it is, with one or two minor irks aside, The Avengers is about as much fun as I have had with a movie in quite a few years.

I wouldn't know if the makers got the essence right, or if the story is at one in the Marvel Avengers Universe, I just know that it is a right old blast and made a colossal amount of money at the box office, even trumping The Dark Knight Rises in that department. It's a film full of derring-do heroics, ripe witticisms, wonderfully staged action, simmering sexual tensions, ego collisions, charm, heart and splendid human interactions. It looks fabulous on Blu-ray, the art design, the colour photography and Silvestri's score rumbles like thunder and crackles like lightning, just as a super hero movie score should do. The cast performances are hugely enjoyable as they bounce off of one and other, feeding off the respective thespian energy with a knowing of the right tone to make this colourful comic book world be all that it can be. While Whedon, with a weight of expectation akin to Atlas holding the World on his shoulders, comes through with flying colours with astute pacing and an impressive marshaling of an acting army.

Flaws? Jackson's Nick Fury could have done with more screen time and Cobie Smulders is sadly short changed as well. The Chitauri are only really a threat because of their sheer numbers, not because of any great alien design, and, well, The Hulk CGI hasn't really advanced much from the 2008 version, but really these are small itches rather than big ones. Is The Avengers the best film of 2012? It will be seen as such for many fans of the source(s) who have waited with baited breath for this coming together of their heroes, and that notion really shouldn't irk the more highbrow film fans out there. Me? No it isn't the best film of 2012, but as I found my self perched on the edge of my seat as the finale unfurls in a wave of explosive heroic energy, and I caressed my ribs from laughing out loud, I knew then that undoubtedly The Avengers is the most fun film of 2012. 9/10
The Avengers is a dream movie come true for superhero fans with its group of extremely talented actors and epic champions, to create an action- packed movie with hilarious banter laced in between scenes. I love how each of the actors and actresses has portrayed each of the roles they were given.
Definitely the greatest superhero movie of all time. Marvel has set the bar high with this one and so far, they're doing a good job of keeping up with that despite not being able to raise it higher!
I found it creative of Marvel to introduce each character one by one. It really set the tone and had me looking forward to what's gonna happen.
Perfect casting! You can really see and feel that the actors have great chemistry both in and out of their characters.
Wonderful movie to watch if you want to be entertained and not think about the plot too much.
When you have a bunch of flashy superheroes fighting supernatural, extraterrestrial villains from another dimension, it can get pretty hard to highlight each of their strengths, but Marvel pulled it off with this one!
The Avengers is a dream movie come true for superhero fans with its group of extremely talented actors and epic champions, to create an action- packed movie with hilarious banter laced in between scenes. I love how each of the actors and actresses has portrayed each of the roles they were given.
I tried my best to avoid getting carried away by the hype of this movie because nowadays most of the movies that are too much hyped end up just being disappointments but I'm glad to say that I WAS NOT DISAPPOINTED when this came out.
One word for this movie: AWESOME. It’s an amazing film and has everything a superhero fanboy hoped for and more.
One of the many things I loved in this film was the conflict between Iron Man and Captain America for leadership and how the two differ in their approach. A very unique way of building a team of superheroes.
The cast really delivered. Sure they were playing the roles of superheroes but you can really see and feel a deeper level of emotions in their performance.
Kudos to the fight choreographers who designed all the action sequences for this movie. They really did a good one!
If you haven't seen this film yet, do yourself a favor and remain unspoiled. This is one of the movies that need to be savored.
Good fighting sequences but camerawork feels too crazy and made it quite difficult to fully enjoy the great choreography.

[Watch] Bombshell Rent Online 2019


[Watch] Bombshell Rent Online
2019









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2019




Filmteam

Coordination art Department : Elodie Boston

Stunt coordinator : Dagron Maren

Script layout :Trish Tali

Pictures : Bettine Elly
Co-Produzent : Savoy Hackman

Executive producer : Elyan Lulya

Director of supervisory art : Alfred Timothé

Produce : Mallie Ojasvi

Manufacturer : Portal Sabine

Actress : Satordi Braeden



Bombshell is a revealing look inside the most powerful and controversial media empire of all time; and the explosive story of the women who brought down the infamous man who created it.

6.8
889






Movie Title

Bombshell

Duration

112 minutes

Release

2019-12-13

Kuality

M4V 1440p
BDRip

Categories

Drama

speech

Hrvatski, English, Slovenčina

castname

Ondine
T.
Zaoui, Marisol A. Denisse, Sokhna G. Ilias





[HD] [Watch] Bombshell Rent Online 2019



Film kurz

Spent : $235,459,496

Revenue : $033,801,005

Group : Horror - Schreiben , von cops - Waste , Show - Wild Mountain Epidemic , dumm - Kampfkunst

Production Country : Marshallinseln

Production : Emilia Produções



The best way to sum up ‘Bombshell’ is that it's a story that needs to be remembered and told, yet the film we got is good but not great. While all the acting is phenomenal - especially the leads - and makeup fantastic, the story, filmmaking and editing are uncreative and thus fail to hit the home run that this should have been. Having said that ‘Bombshell’ is still one to watch, if only to be reminded of what is still happening to women today - not just in Hollywood, but all around the world.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-bombshell-an-important-yet-uninspired-look-at-fox-news-sex-scandal
**_A well-acted film about the human cost of bullying and sexual harassment_**

>_11.On or about September 3, 2009, Carlson complained to her supervisor that one of her co-hosts on_ Fox & Friends_, Steve Doocy, had created a hostile work environment by regularly treating her in a sexist and condescending way, including by putting his hand on her and pulling down her arm to shush her during a live telecast._

>_12.Doocy engaged in a pattern and practice of severe and pervasive sexual harassment of Carlson, including, but not limited to, mocking her during commercial breaks, shunning her off_ _air, refusing to engage with her on air, belittling her contributions to the show, and generally attempting to put her in her place by refusing to accept and treat her as an intelligent and insightful female journalist rather than a blond female prop._

>_13.After learning of Carlson's complaints, Ailes responded by calling Carlson a "man hater" and "killer" and telling her that she needed to learn to "get along with the boys."_

>[...]

>_20.On those occasions when he spoke directly with Carlson, Ailes injected sexual and/or sexist comments and innuendo into their conversations by, among other things:_

>_a. Claiming that Carlson saw everything as if it "only rains on women" and admonishing her to stop worrying about being treated equally and getting "offended so God damn easy about everything."_

>_b. Describing Carlson as a "man hater" and a "killer" who tried to "show up the boys" on_ Fox & Friends_._

>_c. Ogling Carlson in his office and asking her to turn around so he could view her posterior._

>_d. Commenting that certain outfits enhanced Carlson's figure and urging her to wear them every day._

>_e. Commenting repeatedly about Carlson's legs._

>_f. Lamenting that marriage was "boring," "hard" and "not much fun."_

>_g. Wondering aloud how anyone could be married to Carlson, while making sexual advances by various means, including by stating that if he could choose one person to be stranded with on a desert island, she would be that person._

>_h. Stating "I'm sure you [Carlson] can do sweet nothings when you want to."_

>_i. Asking Carlson how she felt about him, followed by: "Do you understand what I'm saying to you?"_

>_j. Boasting to other attendees (at an event where Carlson walked over to greet him) that he always stays seated when a woman walks over to him so she has to "bend over" to say hello._

>_k. Embarrassing Ms. Carlson by stating to others in her presence that he had "slept" with three former Miss Americas but not with her._

>_l. Telling Carlson that she was "sexy," but "too much hard work."_

- Extract from Gretchen Carlson's sexual harassment lawsuit against Roger Ailes (July 6, 2016)

>_Some of the women that are complaining, I know how much he's helped them. And even recently. And when they write books that are fairly recently released, and they say wonderful things about him. Now, all of a sudden, they're saying these horrible things about him. It's very sad. Because he's a very good person. I've always found him to be just a very, very good person._

- Donald Trump; _Meet the Press_ (July 23, 2016)

>_Today America lost one of its great patriotic warriors. Roger Ailes. For Decades RA's has impacted American politics and media. He has dramatically and forever changed the political and the media landscape singlehandedly for the better. Neither will ever be the same again as he was a true American original. Few people in this life will ever reach the profound level of impact that Roger Ailes had on the country every single day. As his opponents played checkers in life, Roger was always the strategist, playing Chess 5 steps ahead at a whole other level._

- Sean Hannity (via Twitter; May 18, 2017)

>_I was asked to do the spin. God help me, I did it. I know people think it's like, "Oh, you had to spin around", but I remember feeling like, "I put myself through school. I was offered partnership at Jones Day, one of the best law firms in the world. I argued before federal courts of appeal all over the nation. I came here. I'm covering the United States Supreme Court. I graduated with honours from all of my programs and now he wants me to twirl?" And I did it. If you don't get how demeaning that is, I can't help you._

- Megyn Kelly; "Megyn Kelly Presents: A Response to _Bombshell_" (January 9, 2020)

I've seen _Bombshell_ described as a docudramedy – a portmanteau if ever there was one, that essentially refers to a true story (docu) that's half drama (dram) and half comedy (edy). It's a relatively new subgenre that a lot of critics seem to be tracing back to Adam McKay's _The Big Short_ (2015) and _Vice_ (2018). And whilst Bombshell definitely takes inspiration from McKay's work, I think the real antecedent is Oliver Stone's 90s films. Granted, Stone never made what could be called a docudramedy – _The Doors_ (1991), _JFK_ (1991), _Heaven & Earth_ (1993) and _Nixon_ (1995) are docudramas, whereas _Natural Born Killers_ (1994) and _U Turn_ (1997) are dramedies. However, what all six films have in common, and this is where they're important to the modern docudramedy subgenre, is stylistic snappiness, unrelenting energy, visual hyperactivity, and editing rhythms that could give you seizures. And so too _Bombshell_. At least initially. And although it shares a lack of subtlety with McKay's _The Big Short_, and a lack of factual insight with _Vice_, _Bombshell_ is entertaining, brilliantly acted, and paints a horrifying picture of workplace bullying and sexual harassment. Sure, it'll be yet more evidence for the right that leftist Hollywood is incapable of partiality, but really, if you're the type of person prone to believing the propaganda machine that is Fox News, what are you even doing watching the movie in the first place?

The story begins in August 2015 during the first Republican presidential debate. Co-moderating the debate is Megyn Kelly (Charlize Theron completely disappearing into the role), the host of Fox News's _The Kelly File_, who asks candidate Donald Trump (then considered a highly unlikely winner), about his history of misogynistic comments. Pointing out he has called women whom he dislikes "_fat pigs_", "_dogs_", "_slobs_", and "_disgusting animals_", she asks, "_does that sound to you like the temperament of a man we should elect as president_". The following day, Trump proves her point during an interview with CNN by throwing a tantrum and claiming, "_she gets out there and she starts asking me all sorts of ridiculous questions, and, you know, you could see there was blood coming out of her eyes, blood coming out of her wherever_". And so, much to her chagrin, Kelly finds herself the focus of the headlines. Initially, Fox News president Roger Ailes (a superb John Lithgow), supports her, telling her that the exchange was "_great TV_", but as time goes on, and Trump's popularity continues to rise, Ailes's begins to grow concerned about Kelly's attitude. Meanwhile, in June 2016, after saying that she supports the assault rifle ban, Gretchen Carlson (Nicole Kidman), is fired from her show _The Real Story_. Carlson had been a co-host on the highly-rated _Fox & Friends_ until 2013, when she complained about sexist treatment by her co-hosts, and was demoted to a show in a less desirable timeslot. Fully expecting to be fired, she had already contracted a legal team, with the intention of filing a suit not against Fox, but against Ailes personally, who she claims sexually harassed her for years. However, she's told that the suit can only be successful if she can find others willing to corroborate his behaviour. But with the women of Fox urged to support Ailes (including wearing t-shirts proclaiming their loyalty), will anyone stand with Carlson? Elsewhere, the young and idealistic "_millennial evangelical_" and "_Jesus influencer_" Kayla Pospisil (Margot Robbie playing a composite character) is hired as a research assistant for _The O'Reilly Factor_. Determined to rise through the newsroom, she engineers a private meeting with Ailes, but is horrified when she discovers exactly what he means when he says he will need evidence of her "_loyalty_".

The film also features Pospisil's (fictional) mentor Jess Carr (Kate McKinnon); Ailes's wife, Beth (Connie Britton); Kelly's husband Douglas Brunt (Mark Duplass); Kelly's (fictional) producer Gil Norman (Rob Delaney); Ailes's lawyers Susan Estrich (Allison Janney) and Rudy Giuliani (Richard Kind); Fox News founder and owner Rupert Murdoch (Malcolm McDowell); Murdoch's sons, Lachlan (Ben Lawson) and James (Josh Lawson); Carlson's lawyer Nancy Smith (Robin Weigert); Kelly's (fictional) research assistants Lily Balin (Liv Hewson) and Julia Clarke (Brigette Lundy-Paine); Fox general counsel Gerson Zweifach (Andy Buckley); former Fox correspondent Rudi Bakhtiar (Nazanin Boniadi), who accused anchor Brian Wilson (Brian d'Arcy James) of sexual harassment in 2007 and was subsequently fired; Ailes's (fictional) secretary Faye (Holland Taylor); and, often in the form of single scene cameos, Fox News employees Bill Shine (Mark Moses), Dianne Brandi, (Amy Landecker), Martha MacCallum (Elisabeth Röhm), Ainsley Earhardt (Alice Eve), Alisyn Camerota (Tricia Helfer), Geraldo Rivera (an unrecognisable Tony Plana), Sean Hannity (Spencer Garrett), Bret Baier (Michael Buie), Neil Cavuto (P.J. Byrne), Kimberly Guilfoyle (Bree Condon), Bill O'Reilly (Kevin Dorff), Abby Huntsman (Ashley Greene), Chris Wallace (Marc Evan Jackson), Juliet Huddy (Jennifer Morrison), Julie Roginsky (Ahna O'Reilly), Harris Faulkner (Lisa Canning), Irena Briganti (Brooke Smith), Jeanine Pirro (Alanna Ubach), and Greta Van Susteren (Anne Ramsay).

Written by Charles Randolph (_The Life of David Gale_; _The Interpreter_; _Love & Other Drugs_) and directed by Jay Roach (_Austin Powers: International Man of Mystery_; _Meet the Parents_; _Game Change_), _Bombshell_ is the third major retelling of the Ailes saga in the last couple of years, following Alexis Bloom's documentary, _Divide and Conquer: The Story of Roger Ailes_ (2018) and the Showtime miniseries _The Loudest Voice_ (2019), which might go some way to explaining the film's disappointing box office (although I'm sure some will throw around the ridiculous "_get woke, go broke_" phrase). None of the principal characters, including Kelly and Carlson, were involved with the filmmaking at any point, and neither Theron nor Kidman consulted either woman. Carlson has not yet seen the film, and although Kelly originally said she might not watch it, in January 2020, she posted a video to her YouTube channel featuring herself, her husband, Rudi Bakhtiar, Juliet Huddy, and former Fox News producer Julie Zann, recorded immediately after a screening. Kelly praised the film's general accuracy, although she also noted that on occasion, it veered toward victim blaming, suggesting that certain scenes screamed out they were "_written by a man_".

The fall of Roger Ailes preceded the first accusations against Harvey Weinstein (October 2017) and the birth of the #MeToo movement by over a year. When Carlson first files her suit, not a single woman comes forward to support her (although, ultimately over 20 would), and one imagines that had this happened _after_ Weinstein, the situation would have been markedly different. Indeed, the film shows people such as Jeanine Pirro (perhaps the most militantly insane of Fox's cabal of instability) organising a kind of reverse picket line that seeks to discourage women from accusing Ailes (or Bill O'Reilly) of anything inappropriate, and isolating them if they do so (the "I stand with Roger" t-shirts are her idea). This depiction of the nature of sexual harassment in a male-dominated and female-enabled corporate arena is chillingly effective. In one particularly disturbing scene, we see a young female journalist go out for dinner with her male boss, and when he offers her career advancement in return for sex, her reaction is to pretend she doesn't understand what he means, then pretend it's not happening, and finally to apologise to him ("_I'm sorry if I've given you the impression that our relationship could be anything but professional_"). In this environment, women are the victims whether they resist or submit – resist, and they risk their job; submit, and they lose their self-respect. A more toxic environment is hard to imagine.

With that in mind, _Bombshell_ is certainly not a subtle film, but it doesn't try to be. Roach is not trying to engage in an even-handed examination of partisan politics, nor even look at the monolithic political ideology of Fox News itself. Sure, it features lines such as Ailes claiming, "_news is like a ship, you take your hands off the wheel and it pulls hard to the left_", whilst Carr states the main goal of Fox News is to "_frighten and titillate_" rather than report facts, but these are the exceptions in a reasonably apolitical film. Roach knows that 99% of his audience will already agree that Fox News is a dangerous, hate-filled, xenophobic, propaganda machine, so he makes little effort to depict the network's political leanings. Instead, the film is about self-loathing, fear, and anxiety – it's about workplace bullying and the human cost of sexual harassment.

This is a crucial point, because the three women at the film's centre (Kelly, Carlson, and Pospisil) are not a left-wing sisterhood. They're not even friends (the trio share only a single scene, and it's without dialogue); they're not a rebellious group of bra-burning feminists, they're right-wing conservatives who helped create the toxically boorish system under which they now find themselves oppressed. True, the film is probably a little too silent on their politics, especially Kelly (more on this in a moment), but the point is that politics are fairly irrelevant – sexual harassment is sexual harassment, and your politics, religious beliefs, race, and gender are all beside the point (unless, of course, you're the type of moron who believes a woman who dresses sexy is "_asking for it_", in which case you probably feel Carlson and women like her got what they deserved). At the same time, the film doesn't portray Ailes as an irredeemable monster, at least not at first. Indeed, when we meet him, he's commending Kelly for her handling of Trump, and the impression is that the relationship between the two is one of respect and genuine fondness, with Ailes even going as to say, in a fatherly way, "_I'm proud of you, Megyn_". The point is, this is not an anti-Republican diatribe. It's the exposé of a man who was a Republican.

Aesthetically, _Bombshell_ is something of a strange creature. The rapidly edited, stylistically hyperactive first half-hour or so is vintage McKay; a deeply self-reflexive almost meta-comedy. For example, one of the earliest scenes sees Theron break the fourth wall and address the audience as she gives us a tour of Fox News. Another moment sees Carr telling Pospisil that some people watch the channel so much, the logo has burnt onto their TV screens, at which point the Fox logo appears in the corner of the screen, remaining there for the rest of the scene. However, once the groundwork has been laid, Roach shifts tones completely and moves into fairly standard factual drama territory, which has the effect of making the first act feel somewhat isolated and incongruous, setting us up for a film which never arrives, particularly concerning the fourth-wall break (the only scene of its kind in the film).

On the other hand, the film's triptych narrative structure works very well. It's not an even divide (this is Kelly's film before it is Carlson's or Pospisil's), but it does allow Roach to dramatise just how much Ailes looks on his female staff as commodities. Carlson is the washed-up former beauty queen who no longer holds his interest; Kelly is the current flavour of the month, still beautiful, still popular; Pospisil is the future, young, vital, keen, and in awe of the man himself, as all women should be – for every Carlson, there's a Kelly to replace her, and for every Kelly, there's a Pospisil waiting in the wings, ready for grooming.

From an acting perspective, there's not a weak link, with Theron especially impressive. Normally, she looks nothing like Kelly, but through posture, mannerisms, wardrobe, a scratchy voice, and the subtle prosthetic genius of Kazu Tsuji (who turned Joseph Gordon-Levitt into a young Bruce Willis for Rian Johnson's _Looper_, and Gary Oldman into Winston Churchill for Joe Wright's _Darkest Hour_), the actress disappears into the character, who she plays as steely and often remote, but fiercely passionate and intelligent. Is it as good as her work in Patty Jenkins's _Monster_ (2003)? Not quite. But it's still a deeply impressive performance that transcends mere imitation.

The other standout is Lithgow, whose performance is fascinatingly modulated. Introduced in a scene designed to show his fatherly protective side, Lithgow initially portrays Ailes as a flawed human being – all too aware that he's losing a battle with age, but ironically resigned to his physical appearance not being what it once was. It's only later that the actor lets the monster out of the box. One particular scene, which is both his and Robie's best, and the dark heart at the centre of the film, sees him asking an increasingly uncomfortable Pospisil to hike her skirt higher and higher, to the point where her underwear becomes visible, as he becomes increasingly aroused, indicated by nothing but his breathing. It's an exceptionally well-staged and nauseating scene which gets to the film's core – the humiliation aspect of sexual harassment. Like rape, it's not about sex (at least, not entirely), it's about power, dominance, and submission. It's about ego. Ailes knows that if women like Pospisil value their job, they'll submit, just as they have done for men like him throughout history. As he sees it, ambitious women will always need powerful men, and he behaves as he deems appropriate within that paradigm.

As for problems, I mentioned earlier that the film might be too silent on some of Kelly's history. I understand where Roach is coming from on this; to feature scenes which seem designed to depict her in a less than favourable light could run perilously close to victim-blaming – kind of a "_who cares if she was harassed, she's a racist_" argument. So whilst I agree in principle, I think that in practice, Roach errs in the other direction. If you knew nothing about these events, you'd be forgiven for thinking the only controversy Kelly ever encountered in her time at Fox was asking Trump about misogyny. There's no mention, for example, of her infamous "_Jesus was a white man_" comment from 2013. Granted, it doesn't have much to do with the story at hand, but my point is a general one. The film's Kelly is almost virginal, without blemish. Making her character more rounded, more flawed, more (dare I say it) right-wing, would have served both the character and the story, and actually helped rather than hindered Roach's argument that politics don't matter in relation to sexual harassment. On the other hand, the film _does_ address the fact that Kelly knew about Ailes for years before Carlson was fired, and it takes her to task for not doing anything with that knowledge, with one character rightly pointing out that if she had done something earlier, other victims would have been spared. Interestingly enough, this was the scene Kelly herself felt crossed the line into victim-blaming – make of that what you will.

Another issue is that the tonal shift at the end of the first act is very strange, as Roach abandons the hyperactivity of the opening and settles into a far more conventional style – a transition he doesn't entirely pull off. He also makes the strange decision to mix archival footage of the real Ailes with Lithgow's performance during this first act, which somewhat shatters the film's performative universe.

Ultimately, _Bombshell_ will probably anger some for its refusal to really comment on how Ailes's accusers were part of the problem for a long time, propping up, excusing, and validating the system behind which he operated. However, to take this route is to suggest that because they elected not to rock the boat earlier in their careers, they don't deserve much sympathy. And anyone who knows anything about feminism or #MeToo will tell you that is absolutely _not_ the case. Certainly, in the case of Kelly, the opportunity for her to explain why she stayed silent for so long is available, but is never availed of. But is that a fault of the filmmakers or a reflection on the actual person's reluctance to take that particular journey inward? Sure, the film is at pains to avoid showing either Carlson or Kelly as in any way complicit in creating the hideously outdated patriarchy at Fox (as opposed to many of the network's other female employees, who seem to be fair game). But this is by design. Were _Bombshell_ a story about Fox News, such things ought to be examined. But it isn't. It's a story about humiliation and bullying, a story that says people do not deserve such treatment, no matter their race, religion, or politics.
I was hesitant at first to watch this movie. I couldn't imagine watching anything nearly two hours long about the Fox Network. Plus I saw a lot of negative buzz on the film. I am a progressive and have been glad to see wealthy men being held accountable for sexual harassment finally, but I wasn't anxious to watch a hit job either. I researched the actual story and it seemed to be about two old white guys in a privileged position, and if their conservative wealthy boss fired them, how unfair could it be?

I found it to be entertaining. I gather one of the main characters isn't a real person, but rather a sort of amalgam of many women who were sexually abused and either left Fox or were disposed of in other ways. I liked the husband who supported his famous wife so loyally, and got a kick out of the shenanigans the lesbian character had to go through to stay hidden in plain sight. I never expect a documentary with these films, so small changes and artistic freedom doesn't bother me. It is not a documentary, after all.

if you are conservative and a Fox news devotee, and don't like to see anything negative about it, you might want to give it a miss. But for the rest of you, if you want to see some of the behind the scenes of a part of the Me Too movement, here you go.

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Filmteam

Coordination art Department : DePaiva Briley

Stunt coordinator : Ferro Azmina

Script layout :Henry Gaby

Pictures : Luke Sami
Co-Produzent : Baker Iliya

Executive producer : Gilpin Kawtar

Director of supervisory art : Walker Kale

Produce : Yona Nikolay

Manufacturer : Goulue Gwawr

Actress : Milo Qian



A young heroin addict roams the streets of New York to panhandle and get her next fix, while her unstable boyfriend drifts in and out of her life at random.

6.6
81






Movie Title

Heaven Knows What

Time

121 minutes

Release

2015-05-29

Quality

MPE 720p
HDTS

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Drama

speech

English

castname

Arturo
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Sabba, Misrahi D. Packard, Anosha T. Braeden





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categories : Wissen - Horrorfilm , Zoologie - Chor , Himmel - Einfachheit , Abstrakt - Unabhängigkeit

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Coordination art Department : Heera Helmond

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Script layout :Raoul Bruyère

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Director of supervisory art : Marco Potvin

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Deepak is a lawyer suffering from bipolar disorder who experiences frequent mood swings. One night, Rajveer and his friends get drunk and try to molest Miss Arora and her two roommates leading to an accident. The film revolves around how Deepak fights the girls' case against these influential boys.

7.5
100






Movie Title

Pink

Moment

135 minute

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2016-09-16

Kuality

MPEG-2 1080p
HDTS

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Drama, Thriller

speech

English, हिन्दी

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Burel
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Lily, Morgen K. Blaike, Josue M. Mailys





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Coordination art Department : Kaylie Hélèna

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Script layout :Maxens Boutet

Pictures : Millet Aurore
Co-Produzent : Karlee Regina

Executive producer : Eashar Aryo

Director of supervisory art : Astara Shanaye

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In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.

7.6
8017






Movie Title

Moana

Clock

174 minute

Release

2016-11-23

Quality

AVI 720p
HDRip

Category

Adventure, Comedy, Family, Animation

speech

English

castname

Castile
Y.
Hadeal, Wright M. Agota, Ripert N. Malica





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Spent : $173,378,395

Income : $788,003,528

category : von cops - initiativ Klassische Verzweiflung , Evolution - Schreiben , Heuchelei - nostalgisch , Apathie - Schreiben

Production Country : Guinea-Bissau

Production : Digest Television



**Girl finds out the true identity of her people.**

Okay, I shocked when I heard this film did not get the Oscars nod, except for a song. Now I have seen the film and I come to know why. This is a one liner, but developed into a longer version Except the initial parts, this film is like a limited cast/character film. Most of the film takes place in the sea sailing around fighting evil force to break the curse. But at the end, you would feel this kind of story is not worth for a feature film. It looks a perfect short animation theme.

Disney never disappoints its fans, well, for me. So I enjoyed it, it was fun and entertaining, but too simple. The characters were cute, this is a wonderful film for kids and some grownups would too enjoy it. But this is not for all, unlike most of the Disney animations are. Dwayne's voice lending for one of the lead characters was good, but the girl steals the show. Especially if you are a kid and/or a girl.

The best film since 'Lilo & Stitch' on the similar theme about Pacific islands' people. But it reminded me 'Whale Rider'. Overall, I think the story should have been improved a bit, in particular by including a few more characters at least for the partial appearances. This is not the best animation of the year, also definitely the bad one to skip. If your purpose of the watch is entertainment/timepass, it is good at that.

_6½/10_
After I watched _Zootopia_ in the middle of 2016, I thought to myself "Well, that does it, this has to be the best Family Movie of the year!" I was ready to call it right then and there. It wasn't until December rolled around and I got the chance to see _Moana_, that I realised I had spoken far too soon. For in truth Moana deserved that title!

Mostly I'm just happy that I managed to enjoy two whole Disney movies this year.

_Final rating:★★★½ - I strongly recommend you make the time._

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Movieteam

Coordination art Department : Edgardo Charee

Stunt coordinator : Shea Ziah

Script layout :Leona Rakhi

Pictures : Escobar Giacomo
Co-Produzent : Brylee Narcisa

Executive producer : Hanifa Jodoin

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A group of lifelong friends reunite to celebrate a special birthday, with Sydney's iconic Palm Beach providing a stunning backdrop for the unfolding drama. The good times roll, with loads of laughter, lavish meals, flowing wine and fantastic music, but slowly tensions mount and deep secrets arise.

6.3
8






Movie Title

Palm Beach

Moment

139 minutes

Release

2019-08-08

Kuality

DAT 1080p
HDTS

Categorie

Comedy, Drama

language

English

castname

Yurem
C.
Maury, Connery T. Leala, Gaëlle O. Fugère





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Spent : $791,481,608

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Group : Strategie - Dance de Monsters , Kind - Abtreibung , Show - Speech , Kurzer Rock - Potes

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Filmteam

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An unidentified man posts a live feed on social media showing that he has kidnapped two strangers and intends to kill one before the day is out. His intention is to hold a capital 'trial' online. As the authorities recognize what's happening, it becomes apparent that the online public is going to act as judge and jury.

6
65






Movie Title

American Hangman

Hour

172 minutes

Release

2019-01-04

Kuality

M2V 720p
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Filmteam

Coordination art Department : Orlina Bosco

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Manufacturer : Maci Funès

Actress : Darius Tess



Two very different families converge on Martha's Vineyard one weekend for a wedding.

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Movie Title

Jumping the Broom

Clock

135 minute

Release

2011-05-06

Quality

MP4 1440p
Bluray

Genre

Comedy

language

English

castname

Natan
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Ilana, Hazel H. Allya, Guéry L. Mert





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Spent : $972,939,427

Revenue : $573,236,774

Group : Drama - Tapferkeit , Tod - Freiheit , Ethik Legende - Skizzen , Komödie - nostalgisch

Production Country : Zypern

Production : Se-ma-for



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Movieteam

Coordination art Department : Erwann Élise

Stunt coordinator : Nancie Tony

Script layout :Menahem Gauchet

Pictures : Pinabel Malcolm
Co-Produzent : Meïssa Llian

Executive producer : Correy Danning

Director of supervisory art : Tinisha Charpie

Produce : Gisela Gustav

Manufacturer : Ayako Issiah

Actress : Jehan Orson



A middle-aged office worker encounters aliens and is gifted with alien technology and limitless powers.

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22






Movie Title

Inuyashiki

Moment

186 minute

Release

2018-04-20

Quality

M4V 1080p
BDRip

Category

Action, Adventure, Science Fiction, Fantasy

language

日本語

castname

Loni
G.
Maribel, Deleon P. Lacee, Amitee K. Suanne





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Film kurz

Spent : $765,057,480

Income : $270,548,225

Group : Flucht - Betroffene Ethik , Kommunismus - Money , Dialog - Linguistik , Blaxploitation - Spionage

Production Country : Nevis

Production : Indie Cinema



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Movieteam

Coordination art Department : Penny Chanice

Stunt coordinator : Tahiya Hugon

Script layout :Fares Aurelie

Pictures : Olinda Akeela
Co-Produzent : Rushane Ducrot

Executive producer : Mathéo Maguet

Director of supervisory art : Saisha Itzel

Produce : Mérode Ramtin

Manufacturer : Hillel Niles

Actress : Jodine Alaina



Three inseparable childhood friends are just out of college. Nothing comes between them - until they each fall in love, and their wildly different approaches to relationships creates tension.

7.1
141






Movie Title

Dil Chahta Hai

Hour

157 minute

Release

2001-07-24

Quality

AVI 1080p
BDRip

Categories

Drama, Romance

language

हिन्दी

castname

Shameem
P.
Bianca, Ilef A. Suren, Ayan T. Caetano





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Film kurz

Spent : $221,837,300

Income : $766,602,437

categories : Experimentell - Exil , Zweitens der Name - Unabhängigkeit , Great - Worte , Erzählung - Sommer

Production Country : Araber

Production : Rockhopper



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